Yesterday, Nikon announced a long-awaited (overdue?) replacement to its 80-400mm f/4.5-5.6 VR lens. The the original 80–400mm VR has been around since 2000, and for as long as I can remember, enthusiasts have cried out for and AFS replacement. Why? Despite very good optics and excellent zoom range, the AF-D model of the 80-400mm was slow to focus and as such sub-par for many action and wildlife photographers. Despite its limitations it remained popular lens because it was the least expensive Nikkor with a focal length of 400mm. On a DX-format DSLR body, that translates to an effective field of view of 600mm, making the 80-400 the enthusiast’s choice for wildlife photography. The relatively compact size of this lens made it an ideal option for travel photographers or people wanting to have extra reach on a reasonable budget. Continue reading Quick Thoughts: 80-400mm f/4.5-5.6 AFS G VRII Nikkor lens
The D7000, to me, has always been a “close but not quite” camera. By all accounts, its sensor is really good. However, the smaller form factor and diminished performance (AF, frame rate, bracketing limitations) dissuaded me from getting one as a D300s replacement. The biggest surprise to me when I read Nikon’s announcement was the subheadline:
“Nikon’s DX-format Flagship Provides Agility, Amazing Image Quality and Wireless Connectivity“
You read that right; the DX-format Flagship. In my opinion, this means what I’ve been hearing (and thinking) for some time. DX is for enthusiasts, FX is for pros. Continue reading The Nikon D7100 DSLR: DX-Format Flagship?