I’m pleased to announce that I will be returning to Badlands National Park in South Dakota September 11-16, 2016.
This is a small-group (8) photo safari and creative landscape workshop. You’ll get to photograph the amazing scenery while learning the necessary computer skills to transform your images into fine-art quality masterpieces.
As someone who does a lot of outdoor/landscape photography, great locations are important to me. Being in a photogenic location is a wonderful way to experience the outdoors. However, when you photograph a location can be just as important as where you are. The “when” of photography occurs on multiple scales. Within a day, within a year, and even across years. Consider one of my favorite locations to photograph, the South Dakota Badlands.
If you visit the Badlands like most tourists, you’ll arrive at a nice time during the summer after you’ve had your morning coffee. By this time of day, the sun is nearly overhead, and you’ll get photographs like this one:
During yesterday’s “Mastering the Lightroom 5 Develop Module” online class, we took a look at the power of RAW editing by working on an image that might not have been too inspiring straight out of the camera:
What I liked about the shot, though, was the light hitting the peaks and the clouds. This image represents a typical set of challenges in outdoor photography. Wide dynamic range between the sky and the foreground, mixed lighting between the sky (daylight) and the hills (shade), and low contrast overall.
We used the full set of tools in Adobe Photoshop Lightroom 5 to adjust the RAW image, and then we applied Skylight Filter and Pro Contrast in Color Efex Pro 4 to make the final image pop. The end result is far more spectacular, and captures the feeling we had when we were actually there shooting this on the Badlands Photo Safari.
When you shoot landscapes, keep in mind that sometimes the best light happens after the sun has already set. This image was captured about 2 minutes after sunset in Badlands National Park during my photo safari with Deborah Sandidge. High winds made a tripod mandatory, and I used mirror lock-up to prevent softness from mirror-slap. Although the original file wasn’t quite as spectacular, a quick trip to Color Efex Pro 4 brought this image to life.
Due to a late cancellation, I’ve got an opening for my photo safari to South Dakota June 2-6th. I will be joined by Deborah Sandidge as a co-instructor for this immersive landscape photography experience in some pretty amazing environments.
In addition to photographing some amazing locations, we’ll also have classroom time, where Deborah and I will teach you the art of creative post-processing. We’ll cover black and white, HDR, and infrared photography. Speaking of IR photography, we’ll be bringing a few extra IR-converted cameras for you to use on the workshop!