We each received the new Nikon Z fc mirrorless camera this week, so we’re sharing our hands-on first impressions. We’ll go through the features we like, and discuss a few areas for improvement. Also, we’ll compare the Nikon Z fc to the Nikon Z 50, and discuss which camera we’d recommend for our listeners.
I just received the new Nikon Z fc camera kit with 16-50mm DX lens. You might be asking why I would purchase this camera, seeing as how I already have a Nikon Z 7 ii. The answer comes down to size and weight.
The Nikon Z fc is a 20-megapixel, DX (APS-C) format mirrorless camera. While much has been hyped about it’s retro look (it does look a lot like my 1978 Nikon EL2), that’s only part of its charm. With the kit lens, the Nikon Z fc weighs in at around 576g. That’s less than half the weight of my Nikon Z 7 ii + 24-70 f/4 combo. This camera can easily fit into a jacket pocket.
The top controls include dials for ISO and Shutter Speed. Aperture is set via the front command dial, or you can configure the lens function ring to change aperture. There’s a tiny LCD panel on the top of the camera that displays the aperture (f-stop) value. There’s also an exposure compensation dial that ranges from ±3 EV in 1/3 stop increments.
The Nikon Z fc has a range of user-customizable options, including the i-Menu, and user-assignable functions for the front Fn1 button and the movie record button. There are fewer custom function buttons than what you’ll get on the larger Z6 and Z7 cameras, and there’s no Sub-Selector joystick.
Probably the biggest difference between the Z fc and other Nikon mirrorless cameras is the way the rear LCD is mounted. The rear LCD panel flips out from the side, rather than the top or bottom. This mounting arrangement allows you to use the LCD from the front of the camera (selfie mode), or rotate it to be completely covered and protected.
I’ll be putting the Nikon Z fc through its paces, but for now I’m pleased with its build quality and overall design.
Check Pricing and Configurations for the Nikon Z fc Mirrorless Digital Camera
Our thoughts on the new mirrorless flagship from Nikon
This week, Nikon announced the development of the Z9 mirrorless camera. Although specs were scarce, there are a few things we can infer from the product announcement. Adobe released a new update to Camera Raw, which offers a new feature called “super resolution.” This enables ACR (and soon, Lightroom) users to double the linear pixel dimensions of their images while preserving a raw format. Our experiments with Super Resolution suggest that it has a lot of potential in the future for working with highly-cropped images or photos captured with lower-resolution cameras.
The ultimate super-wide zoom lens for Nikon mirrorless cameras
I recently got my hands on the Nikon 14-24mm f/2.8S super-wide zoom lens for FX format Nikon Z mount mirrorless cameras, and I’ve spent the last few weeks putting it through its paces. This pro-level lens features a constant f/2.8 aperture, and is an entirely updated design from it’s F-mount predecessor.
The first thing you’ll notice about this lens is that it’s extremely well-built. The focus and zoom rings are silky smooth. The 14-24mm f/2.8S features an illuminated LCD panel that can be configured to display aperture, focus distance (and hyperfocal distance), or focal length. There is also the traditional A/M switch for quickly switching from autofocus to manual focus, and a Lens Function (L-Fn) button which can be customized in your camera to provide additional functionality, such as AF-ON or auto exposure lock (and much more). This lens also includes a multi-function control ring that can be configured to control aperture, exposure compensation, or ISO setting using custom menu f2 in the Nikon Z6 & Z7 cameras.