Most people have heard of the famous Blue-footed booby, but the Galapágos is home to several other species of these comical birds, such as this Nazca booby. While boobies are quite ungainly on land, they are agile in flight and excellent swimmers.
Nikon D850 with Nikon 70-200mm f/4 AFS G VR zoom Nikkor lens and TC-14EIII teleconverter. 1/800s f/8, ISO 320 (auto).
Live webinar 7-9pm Eastern Time, Thursday, February 7th, 2019
Join professional photographer Jason P. Odell live online for tips and tricks for better bird photography using the Nikon digital system.
Your registration includes live webinar access (you can ask me quesstions) and a video replay download for future viewing.
Please note that registration will close one hour prior to the class start time. Login information will be sent to the email you used to register; please ensure that your email address is correct when registering.
Just for fun I combined one of my brown pelican images from my San Diego birding safari with one of my new Digital Painterly textures. Sometimes you just need to experiment!
Here’s a pretty standard shot of a Western Gull, which I captured a few weeks ago while leading my San Diego Birding photo safari. Gulls are relatively easy targets for practicing your bird shots, and while this shot isn’t remarkable by any means, my choice of gear still made a difference.
First, I was using the Nikon D850 DSLR. The outstanding dynamic range of this camera allowed me to capture the entire gamut of shadows and highlight details in a single exposure. Should I decide to print this image, I could go as large as 24×34 without any resampling.
Second, I used the versatile Nikon 200-500mm f/5.6 VR zoom lens. For a “consumer” lens, it’s really hard to beat. But why this lens was perfect for this shot was because it was not only light enough to hand-hold, but also that it’s minimum focus distance of 7.2′ (2.19m) allowed me to get really close to my subject and create a really smooth out of focus background.
For my last two birding safaris, I’ve eschewed my heavy tripods for the flexibility of a monopod with tilt-head and shoulder-stock. The monopod is lightweight and mobile, but when combined with my Arca-Swiss shoulder stock, I get a very stable configuration in the field, with my legs replacing a tripod. This isn’t easy to do with a monopod alone; the shoulder-stock creates a solid contact point between my camera and my body.
Finally, because processing the final image is just as important to me as the capture itself, I used Adobe Lightroom Classic CC to fine-tune the exposure, tone, and detail in the RAW image. I leveraged Adobe’s Nikon Camera Neutral profile to open the shadows and protect highlights while giving me maximum control over global and local tone and color.