Tag Archives: Alaska

Whose Vision is it, Anyway?

AKA: Did you “Photoshop” that?

When I was growing up in the early 80s, you really had only two choices when it came to making prints from your film. You could either take it to a lab (or drugstore), or do it yourself. While at-home darkroom work was fairly reasonable for black and white film (and I’m glad my dad built a darkroom for my mom in our garage), color film was really not feasible for most home processing. So the rolls of color print film went off to the drugstore, with mixed results.

I remember driving out to the Mojave desert with my Nikon EL2 and a roll of print film, looking to photograph comet Hale-Bopp. The good news was that I actually captured shots of the comet. The bad news was that the print lab assumed I’d woefully underexposed my film and returned photos with gray skies instead of black. Fortunately, I was able to use a flatbed scanner and my rudimentary knowledge of Photoshop (this was the mid-90s, you know) to get reasonable-looking images.

Today, most of us aren’t shooting color print film, but the idea remains the same. You can choose to let your camera be the lab (i.e., the drugstore) and rely on its rendition of colors and contrast, or you can work on your images yourself. The good news is that most cameras offer a variety of preset color and contrast settings, like “standard,” “vivid,” and “portrait.” But does the camera really know which tones you want accentuated and those you want muted? I think not. That being said, our cameras do a pretty reasonable job of rendering images that look fairly similar to how the scene appeared at the time, which brings me to the point of this article. Is a “faithful” rendition of the scene a compelling photograph, or would you like to convey a different sense of feeling. After all, the camera simply records data; it’s up to our brains to interpret it.

A couple of months ago I was in Alaska on a cruise with a group of clients. One of the signature stops on the cruise was Glacier Bay National Park, a place that’s fairly inaccessible except by boat or float plane. As it turned out, by the time we arrived at one of the signature glaciers, the air was hazy and the angle of the sun created quite a bit of haze. This is what my camera saw:

Johns Hopkins Glacier, Glacier Bay, Alaska, as interpreted by my OM-1 camera.

Frankly, that’s more or less how the scene looked. The glacier was somewhat back-lit, and there was a lot of haze in the air, reducing contrast. Meh. Had I been shooting a documentary or on a photojournalism assignment, this image would have been perfectly reasonable to use right out of the camera.

Needless to say, I like my landscapes to have impact and feeling. So of course I processed the photo to get more of what I felt. For example, had I been using black and white film, I’d have considered using a yellow filter to cut through that blue haze and add contrast to the mountains. After processing, I ended up with this:

Johns Hopkins Glacier, processed in Lightroom and Photoshop (click to enlarge).

Which one do you prefer? In reality, it doesn’t matter. Because you get to have your own opinion and your own style. The bottom line is this: If you let your camera do your processing for you, your choices for output will be quite limited. You don’t need to build a darkroom in your garage to have the creative freedom once enjoyed by the masters.

The Image Doctors #202

Photography on a Cruise

Cruises are a great way to travel, but we often don’t consider the kinds of photographic opportunities you can get during the adventure. Jason is back from leading a photo tour on an Alaskan cruise, and we’ll talk about the experience and ways to get creative on your next vacation. We’ll also have a special bonus show this week where we’ll share images from the trip.

Salmon attempting the rapids, Ketchikan, AK (© Jason P. Odell)

Just Announced: Alaskan Photo Cruise 2017

Join me aboard Ruby Princess for an Alaskan photo cruise!
Join me aboard Ruby Princess for an Alaskan photo cruise!

I’m super excited to announce that I’ll be conducting a photography workshop and tour to Alaska, July 15-22, 2017 aboard Ruby Princess. This is an all-inclusive, 7-night round trip cruise and photography experience from Seattle, Washington. While aboard, we’ll have private photo seminars and we’ll use the ship for creative photo opportunities. We will then have private photo tours/excursions and photo learning sessions with professional guides and myself as your photo instructor.

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