This week, we got our hands on the newly released 50mm f/1.2S Nikkor Z lens. We both had the opportunity to test this lens and compare it to our other 50mm Nikon lenses. In addition to our impressions on optical performance, we’ll discuss what kind of photographer would benefit from this impressive lens.
Many thanks to our friends at B&H Photo for loaning us a production copy of this lens to evaluate.
Comparing the Nikon 14-24/2.8S with the legendary 14-24/2.8G
When Nikon introduced the AF-S 14-24mm f/2.8G ED zoom Nikkor in late 2007, it was quickly hailed as a “legendary” lens. In fact, some reviewers said that its performance at 24mm was better than many 24mm prime lenses. In fact, even Canon users hailed this lens and would frequently use it on their cameras via a mount adapter. I purchased this lens and found it to be stellar on my full-frame Nikon DSLR bodies.
Fast-forward to 2020, and Nikon has just released a new 14-24mm f/2.8 lens; this one is designed to work natively on Nikon’s mirrorless Z-mount bodies. Earlier, I reviewed this lens and found it to be simply outstanding. I also made comparison shots with both the 14-24mm f/2.8G and the 14-24mm f/2.8S lenses. You can check out my evaluation video to see how these two lenses compare in terms of sharpness, contrast, and flare resistance. Thanks again to B&H Photo for providing a test copy of the new 14-24mm f/2.8S. Check availability & Pricing
Comparing the 50mm f/1.8G with the 50mm f/1.8S on the Nikon Z7
Almost every photographer has at one point owned a 50mm prime lens. That’s because the “nifty fifty” lenses are inexpensive, fast, and well-corrected. You can use a 50mm prime in a variety of situations, especially for portrait work where you want nice out of focus backgrounds.
I recently purchased the Nikon 50mm f/1.8S Nikkor for Z-mount, and I wanted to compare it to my trusty 50mm f/1.8G for F-mount. I tested both lenses wide-open on my Nikon Z7 by using the Nikon FTZ adapter with the 50mm f/1.8G lens. My experience with the 50mm f/1.8G was that it was a decent performer, but it was sharpest when stopped down to around f/2.8 or more.
The ultimate super-wide zoom lens for Nikon mirrorless cameras
I recently got my hands on the Nikon 14-24mm f/2.8S super-wide zoom lens for FX format Nikon Z mount mirrorless cameras, and I’ve spent the last few weeks putting it through its paces. This pro-level lens features a constant f/2.8 aperture, and is an entirely updated design from it’s F-mount predecessor.
The first thing you’ll notice about this lens is that it’s extremely well-built. The focus and zoom rings are silky smooth. The 14-24mm f/2.8S features an illuminated LCD panel that can be configured to display aperture, focus distance (and hyperfocal distance), or focal length. There is also the traditional A/M switch for quickly switching from autofocus to manual focus, and a Lens Function (L-Fn) button which can be customized in your camera to provide additional functionality, such as AF-ON or auto exposure lock (and much more). This lens also includes a multi-function control ring that can be configured to control aperture, exposure compensation, or ISO setting using custom menu f2 in the Nikon Z6 & Z7 cameras.
This week, we were lucky enough to get our hands on a production copy of Nikon’s newest pro-level Z-mount lens. We tested the new 14-24mm f/2.8S Nikkor Z and came away quite impressed. Hear our thoughts on this lens, how it compares to similar Nikon super-wide lenses, and whether or not it makes sense for us to own one. Many thanks to our friends at B&H Photo for loaning us this lens to test!