We spent the last week on photo safari at an eco-lodge in Panama. We had an incredible time photographing birds, reptiles, and many sloths! Hear what gear and settings we found worked the best in this tropical photography paradise.
Earlier this week, we took a trip to the summit of Mt. Evans, Colorado, where we photographed the local marmots and pika. We’ll share our experience with you, including our camera settings and what worked, and what didn’t work.
In 2019, I had the opportunity to spend a week at the Tranquilo Bay Eco Adventure Lodge in Bocas del Toro, Panama. I discovered Panama’s incredibly rich biodiversity, with hundreds of species of birds, mammals, and reptiles. This is my story of that experience!
Yesterday, Nikon announced a long-awaited (overdue?) replacement to its 80-400mm f/4.5-5.6 VR lens. The the original 80–400mm VR has been around since 2000, and for as long as I can remember, enthusiasts have cried out for and AFS replacement. Why? Despite very good optics and excellent zoom range, the AF-D model of the 80-400mm was slow to focus and as such sub-par for many action and wildlife photographers. Despite its limitations it remained popular lens because it was the least expensive Nikkor with a focal length of 400mm. On a DX-format DSLR body, that translates to an effective field of view of 600mm, making the 80-400 the enthusiast’s choice for wildlife photography. The relatively compact size of this lens made it an ideal option for travel photographers or people wanting to have extra reach on a reasonable budget. Continue reading Quick Thoughts: 80-400mm f/4.5-5.6 AFS G VRII Nikkor lens→
The D7000, to me, has always been a “close but not quite” camera. By all accounts, its sensor is really good. However, the smaller form factor and diminished performance (AF, frame rate, bracketing limitations) dissuaded me from getting one as a D300s replacement. The biggest surprise to me when I read Nikon’s announcement was the subheadline: