Pro tips for photographing fall colors and foliage
As summer starts to fade, it’s time to turn our thoughts to the approach of autumn. The smell of pumpkin spice is in the air, and soon the leaves will be turning. If you want to photograph the changing leaves this year, it’s good to have a plan, and have the right approach. Here are my tips for getting outstanding photos of fall colors.
It’s quick and easy if your camera offers a DST function
Daylight Savings Time (DST) ended in North America on Sunday, November 3rd. That means, we’re back on Standard Time until March 8th, 2020. You probably forgot to change the clock on your camera, though!
Having the correct date and time set in your camera is important because the time stamp that’s embedded in your digital images can be used for record-keeping, and to sync up with GPS track logs.
Most cameras today offer an easy way to set the clock for Daylight Savings Time
First, find the “Time and Date” menu item in your camera’s settings. Next, see if there is a Daylight Savings or “DST” option. If so, simply set it to OFF and your camera’s clock will “fall back” one hour. If it was already set to OFF, then you’ll need to manually adjust the camera clock. In spring, when DST returns, change the DST setting to ON.
Instagram is a great social media platform for sharing photos, but it’s designed for mobile devices. In fact, there is no “upload” option when you view Instagram from your desktop browser. When you want to post a photo that you’ve edited on your desktop computer, it’s really annoying to have to transfer that photo to your phone simply to upload it to Instagram.
Fear not! With this easy trick, you can set your browser to fool Instagram into thinking your desktop web browser is really a mobile device. The trick involves a setting called “User Agent” which you’ll find hidden in the advanced Developer controls. Here’s how to do it:
I had the chance to play around with an infrared DSLR while teaching a workshop in Virginia. I’ve never used IR before, and I’m glad that the “IR Queen,” Deborah Sandidge was there to show me the ropes.
In the past, IR photography was something most people really didn’t do. Options for IR before digital came along were to either use IR-sensitive film or an IR cut filter on the lens. Neither of these options were particularly ideal. IR sensitive film was a real pain because it had to be kept cold and had to be loaded in complete darkness to avoid clouding it. IR cut filters, which only allow infrared wavelengths to pass, make shooting tough because they block all visible light… meaning you can’t see through the camera with one attached to your lens. Moreover, exposures with IR filters needed to be on the order of minutes to capture anything.
With digital, the game has changed. You can send your old DSLR or even a point and shoot camera in to a company and have the optical low-pass filter removed and replaced with one that blocks most visible light. Depending on your ambitions, there are several “flavors” of conversions, including some that allow certain visible wavelengths to pass through in addition to the IR ones. Once you’ve converted your camera, you’ll need to explore the art of processing IR images. Continue reading Exploring Infrared Photography with the IR Queen→