When you shoot landscapes, keep in mind that sometimes the best light happens after the sun has already set. This image was captured about 2 minutes after sunset in Badlands National Park during my photo safari with Deborah Sandidge. High winds made a tripod mandatory, and I used mirror lock-up to prevent softness from mirror-slap. Although the original file wasn’t quite as spectacular, a quick trip to Color Efex Pro 4 brought this image to life.
Due to a late cancellation, I’ve got an opening for my photo safari to South Dakota June 2-6th. I will be joined by Deborah Sandidge as a co-instructor for this immersive landscape photography experience in some pretty amazing environments.
In addition to photographing some amazing locations, we’ll also have classroom time, where Deborah and I will teach you the art of creative post-processing. We’ll cover black and white, HDR, and infrared photography. Speaking of IR photography, we’ll be bringing a few extra IR-converted cameras for you to use on the workshop!
If you’d like to join us, please visit the Luminescence of Nature Photography Meetup page.
Periodically, I like to go through my old images and re-process them; it’s one of the great benefits of shooting in RAW. Being able to work with my old images in new software really opens up some options that I didn’t even consider at the time I made the shot. I captured this image in 2005 while on a photo safari in South Dakota. At the time, I was shooting a new Nikon D2x camera and I had just gotten my 17-55mm f/2.8 AFS DX zoom Nikkor lens. I also had just upgraded to Photoshop CS2, which had a new feature: “Merge to HDR.” I thought HDR could be a cool thing to learn, so I shot a lot of bracketed exposure sequences during this 5-day trip. Many of them were uninspiring. Others, I found difficult if not impossible to process, and so I just processed the best exposure in the sequence with traditional techniques (that’s the nice thing about bracketing– you’ll always have at least one “normal” exposure).
The one thing I didn’t do, however, was delete the other exposures from the bracketed sequence. They’ve just been sitting on one of my 1TB hard drives, waiting for me to give them a second chance. Fast forward to 2011, and now HDR tools have progressed to the point where you can get great results quickly and easily. So, yesterday I went back and re-processed the HDR sequence in HDR Efex Pro and Capture NX 2, and I was quite pleased! Here’s what was in the new technology that I couldn’t get in 2005. Continue reading Don’t Stop Thinking About Tomorrow