Comparing the Nikon 14-24/2.8S with the legendary 14-24/2.8G
When Nikon introduced the AF-S 14-24mm f/2.8G ED zoom Nikkor in late 2007, it was quickly hailed as a “legendary” lens. In fact, some reviewers said that its performance at 24mm was better than many 24mm prime lenses. In fact, even Canon users hailed this lens and would frequently use it on their cameras via a mount adapter. I purchased this lens and found it to be stellar on my full-frame Nikon DSLR bodies.
Fast-forward to 2020, and Nikon has just released a new 14-24mm f/2.8 lens; this one is designed to work natively on Nikon’s mirrorless Z-mount bodies. Earlier, I reviewed this lens and found it to be simply outstanding. I also made comparison shots with both the 14-24mm f/2.8G and the 14-24mm f/2.8S lenses. You can check out my evaluation video to see how these two lenses compare in terms of sharpness, contrast, and flare resistance. Thanks again to B&H Photo for providing a test copy of the new 14-24mm f/2.8S. Check availability & Pricing
I’m still playing around with this lens, but so far, it’s been fun! At 8mm, you get a circular fisheye with a whopping 180° angle of view when you mount this lens on a FX-format Nikon DSLR. Point this lens straight up and you will get subjects both in front of you and behind you in the frame! Yep, you’ll want to be careful of getting your feet or tripod legs in the shot with this lens. Continue reading First Impressions of the Nikon 8-15mm Fisheye Zoom Nikkor→
I’ve had a few more opportunities to shoot with the new Nikon 105mm f/1.4E ED Nikkor, so I thought I’d post some sample images here. Most of these were shot wide-open, because that’s what this lens is all about. Simply put, if you’re into shots with shallow depth of field and incredible subject isolation, then this is a tremendous lens.
The lens is quite sharp wide-open, but you have to be SUPER CAREFUL about your focus point because DOF is incredibly shallow (you knew that, of course).
Use AF Fine-Tuning to make sure you get the focus point dead-on with this lens. Any slight front or back-focus will be very noticeable!
There is light fall-off at f/1.4 but I actually like it because it creates a natural vignette effect in portraits. Adobe Lightroom now includes a lens correction setting for the 105mm f/1.4E, but I almost think that I like it better with vignette correction disabled.
This is a big lens (82mm front filter). It’s not something I’d carry around as part of my regular kit unless I were a portrait/wedding photographer (then it would live permanently in my bag).
I got a box from B&H Photo today. Funny… I didn’t order anything (recently). Much to my surprise and delight, they sent me a reivew copy of the new Nikon 105mm f/1.4E ED Nikkor, Nikon’s stunning portrait lens.