The Nikon 1 System has been out for a little over a year and a half now, and Nikon is now starting to release a series of lenses geared toward the more advanced/serious photographer. When the Nikon 1 system debuted, the only lens that wasn’t a “consumer-level” zoom was the 10mm f/2.8 prime. After adding an 11-27.5mm zoom last year (I don’t know why), Nikon has now released three lenses that are quite nice for more serious photography. Continue reading Three 1-Nikkor Lenses for Serious Photographers
Yesterday, Nikon announced a long-awaited (overdue?) replacement to its 80-400mm f/4.5-5.6 VR lens. The the original 80–400mm VR has been around since 2000, and for as long as I can remember, enthusiasts have cried out for and AFS replacement. Why? Despite very good optics and excellent zoom range, the AF-D model of the 80-400mm was slow to focus and as such sub-par for many action and wildlife photographers. Despite its limitations it remained popular lens because it was the least expensive Nikkor with a focal length of 400mm. On a DX-format DSLR body, that translates to an effective field of view of 600mm, making the 80-400 the enthusiast’s choice for wildlife photography. The relatively compact size of this lens made it an ideal option for travel photographers or people wanting to have extra reach on a reasonable budget. Continue reading Quick Thoughts: 80-400mm f/4.5-5.6 AFS G VRII Nikkor lens
The first question that comes to my mind is “why would anyone want this lens, when you can use a 600mm + 1.4x teleconverter and effectively have an 840mm f/5.6 lens?” Well, I suppose there are a couple of things at play here. First of all, Nikon has quietly implied that only FX-format cameras are their top-end. The D300s, the only “pro” Nikon DX camera, was released in 2009, and other than adding video, it’s the same sensor as the D300 which was released in 2007. Nikon is basically saying, “if you want an action camera, you need a D4.” The only cameras in Nikon’s current lineup that can shoot over 6fps are the D300/s (with grip), D700 (with grip) and the D3s/D4 flagships. Which means if you are a wildlife or extreme sports photographer who wants to take advantage of a modern sensor, you need a long lens to pair with your FX format body. Secondly, sometimes a company needs to produce something this impressive just to demonstrate their engineering excellence. This new lens definitely does that. Continue reading The Biggest, Baddest AF-Nikkor Lens: 800mm f/5.6 AFS G VRII
Along with the Nikon 1 V2 announcement in October 2012, Nikon also released a new 1-Nikkor prime lens, the 18.5mm f/1.8 1-Nikkor. This lens, designed for the Nikon CX-format sensor has an angle of view roughly equivalent to a 50mm lens on a 35mm camera body.
With the Nikon CX format, fast lenses are important for two reasons. First, the small format makes depth of field control hard, so anything with a fast aperture will help to deliver subject isolation and soften backgrounds. Second, while the ISO performance of the Nikon 1 cameras is excellent overall, these cameras are still noisier than large-sensor DX or FX DSLRs. That means anytime you can shoot with a faster aperture, your camera will be able to use a lower ISO for any given shutter speed. Read on for my review… Continue reading Hands-on Review: Nikon 18.5mm 1-Nikkor Lens